Spartacus Movie Review

While flipping through the channels the other day I noticed a planned showing of Spartacus, the 1960 classic directed by Stanley Kubrick and staring Kirk Douglas. The substantial runtime made it a daunting proposition but being a fan of both classic movies and Stanley Kubrick I decided it would be worth the effort. The film features a classic underdog story, Spartacus a lowly slave is bought by a gladiatorial trainer. From the training school Spartacus leads a slave rebellion that not only earns him his freedom but rattles the very foundations of Rome.
The movie is a classic for a reason; there are some truly great looking scenes. The set pieces and production values are great especially for the time it was released. The technical aspects are represented in fine form and Kubrick as expected shows off his directing talents. Some of the most visually impressive scenes are also the most violent. The gladiatorial fights are well choreographed and satisfying but the most impressive scenes are the larger scale battles. For action fans the initial slave uprising and the climatic end battle could both justify the price of admission and will get your adrenalin flowing even without the aid of modern CGI. While Spartacus and his slave army take care of the action the intertwined scenes involving the Romans deliver political intrigue. There are a surprising number of complex subplots and each not only adds to but is arguably more interesting than the main plot. However the film does drag during the love story sequences as far too much time is devoted to the relatively unimportant relationship. The first loving stare between Spartacus and Varinia is touching and sets up their connection beautifully. However their third and forth scenes are unnecessary and mind numbingly boring.
The acting is excellent from the entire cast. Jean Simmons is charming as Spartacus’ love interest and capably ranges from vulnerable to defiant. Kirk Douglas seems at home playing the stoic, strong willed and upright hero. However his moral flawlessness and smug self confidence make him a rather annoying character in my opinion. Luckily his roman counterparts are far more interesting, each of them having a wide range savoury vices and motivations.
This juxtaposition of characters mirrors the treatment of themes in the movie which are painted in broad strokes rather than fine lines. From the beginning it is clearly laid out who you should be cheering for. Also slavery may be a complex and important social issue but the film never really explores its causes or implications in much depth instead being satisfied to simply use it as an emotional catalyst to advance the plot. Ultimately Spartacus’ speeches come off as preachy or disingenuous rather than rousing.
While it may trail behind Gladiator or Ben-Hur in terms of being the definitive sword and sandals epic, Spartacus is still a great classic film. It may drag at times but ultimately it is well worth the time you invest.